MASSTONE Recipes / Brown

Mixing recipe

How to mix brown

Target

#6F4E37

Recipe mixes to #73513D

A plain brown, the color of wet earth or coffee with milk. Yellow Ochre and Burnt Umber in near-equal parts make a dull brown; one part of Cadmium Red warms it so it does not read as grey. All three are earths or near enough, and all are in a common box.

The recipe

Yellow OchrePY436 parts
Burnt UmberPBr7:burnt5 parts
Cadmium RedPR1081 part
Mixes to #73513D, excellent match (ΔE 1.8)

Step by step

Build the pile from the biggest, lightest component and work toward the strongest tinter. Check the pile against each swatch before moving on.

  1. Start with 6 parts Yellow Ochre
    pile #B8813F
  2. Work in 5 parts Burnt Umber
    pile #6C533D
  3. Work in 1 part Cadmium Red
    pile #73513D

A simpler mix

Yellow OchrePY437 parts
Burnt UmberPBr7:burnt5 parts
Mixes to #70553E, good match (ΔE 3.1)

Yellow Ochre and Burnt Umber alone, seven to five, get to a good match with two tubes. The result is slightly cooler and more olive. Use it for soil and bark in shade; add the red for anything in warm light or for a brown that has to sit next to skin.

What goes wrong

This is one of the forgiving mixes: all three pigments are gentle and opaque. The common mistake is reaching for black to darken it, which turns brown to a muddy grey. To go darker add more Burnt Umber; to go lighter add ochre before white, because white makes brown chalky.

Related colors

Results vary with brand, lighting and medium. Acrylic dries a touch darker than it looks wet. Treat this as a mixing aid, not a lab instrument: it tells you which tubes to reach for and roughly in what proportion. Fine-tune the last stretch by eye.

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Mix brown from the paints you own

Masstone builds this recipe from the tubes in your box, not a fixed list, and matches any color you pick from a photo. Real spectral mixing, not RGB averaging.

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