MASSTONE Recipes / Peach

Mixing recipe

How to mix peach

Target

#F6C8A8

Recipe mixes to #FFC29F

Peach is a pale orange, and the clean way to it is white with a part of Cadmium Orange and a part of Yellow Ochre. The orange gives the hue and the ochre softens it so it does not read as sherbet. Cadmium Orange is the tube outside a common box.

The recipe

Titanium WhitePW610 parts
Yellow OchrePY431 part
Cadmium OrangePO201 part
Mixes to #FFC29F, good match (ΔE 3.8)

This one reaches outside the common 10-tube starter box. The paints above are from Masstone’s full pigment library.

Step by step

Build the pile from the biggest, lightest component and work toward the strongest tinter. Check the pile against each swatch before moving on.

  1. Start with 10 parts Titanium White
    pile #F6F6F4
  2. Work in 1 part Cadmium Orange
    pile #FFC6AB
  3. Work in 1 part Yellow Ochre
    pile #FFC29F

Another route

Titanium WhitePW610 parts
Raw SiennaPBr7:raw-sienna1 part
Cadmium OrangePO201 part
Mixes to #FCC1A3, good match (ΔE 3.8)

Raw Sienna in place of the ochre gives a slightly more golden, muted peach at nearly the same accuracy. Pick whichever earth yellow you have out.

What goes wrong

The target is light enough that the parts are coarse: one part of orange in twelve is already the whole color. Build from the white and add the orange a little at a time. A common box's route, white with Cadmium Yellow and Cadmium Red, comes out cleaner and more pink; the engine put it outside good range, which is why this page reaches for the orange.

Related colors

Results vary with brand, lighting and medium. Acrylic dries a touch darker than it looks wet. Treat this as a mixing aid, not a lab instrument: it tells you which tubes to reach for and roughly in what proportion. Fine-tune the last stretch by eye.

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Mix peach from the paints you own

Masstone builds this recipe from the tubes in your box, not a fixed list, and matches any color you pick from a photo. Real spectral mixing, not RGB averaging.

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