MASSTONE Recipes / Tan

Mixing recipe

How to mix tan

Target

#D2B48C

Recipe mixes to #CDAF8E

Tan is a pale warm brown. White carries the value, Yellow Ochre gives it the yellow-brown of tanned leather, and one part of Burnt Umber takes the ochre's brightness down so it reads as tan rather than buff.

The recipe

Titanium WhitePW68 parts
Yellow OchrePY433 parts
Burnt UmberPBr7:burnt1 part
Mixes to #CDAF8E, good match (ΔE 2.3)

Step by step

Build the pile from the biggest, lightest component and work toward the strongest tinter. Check the pile against each swatch before moving on.

  1. Start with 8 parts Titanium White
    pile #F6F6F4
  2. Work in 3 parts Yellow Ochre
    pile #EDC998
  3. Work in 1 part Burnt Umber
    pile #CDAF8E

Another route

Titanium WhitePW67 parts
Yellow OchrePY434 parts
Ivory BlackPBk91 part
Mixes to #C6B28B, good match (ΔE 3.7)

Swapping the Burnt Umber for a part of Ivory Black gives a cooler, greener tan, about a point and a half further off. It suits worn canvas or faded leather. The umber version is warmer and the better match for most things called tan.

What goes wrong

After the ochre goes in the pile is a bright buff, and the umber is what makes it tan. Add it in halves; a full part straight in can overshoot to a mid brown, and because the mix is mostly opaque white and ochre it takes a lot more white to come back. If the tan looks pink, there is too much umber and the fix is more ochre.

Related colors

Results vary with brand, lighting and medium. Acrylic dries a touch darker than it looks wet. Treat this as a mixing aid, not a lab instrument: it tells you which tubes to reach for and roughly in what proportion. Fine-tune the last stretch by eye.

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Mix tan from the paints you own

Masstone builds this recipe from the tubes in your box, not a fixed list, and matches any color you pick from a photo. Real spectral mixing, not RGB averaging.

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