MASSTONE Recipes / Violet

Mixing recipe

How to mix violet

Target

#7B5AA6

Recipe mixes to #7A599F

A clean violet needs a violet pigment: nothing in a common 10-tube box gets within good range, because Ultramarine and Alizarin grey off in white. This recipe is white with a part each of Quinacridone Magenta and Dioxazine Purple. Two strong, transparent pigments, and the white does most of the volume.

The recipe

Titanium WhitePW62 parts
Quinacridone MagentaPR1221 part
Dioxazine PurplePV231 part
Mixes to #7A599F, excellent match (ΔE 1.4)

This one reaches outside the common 10-tube starter box. The paints above are from Masstone’s full pigment library.

Step by step

Build the pile from the biggest, lightest component and work toward the strongest tinter. Check the pile against each swatch before moving on.

  1. Start with 2 parts Titanium White
    pile #F6F6F4
  2. Add 1 part Quinacridone Magenta
    pile #D874B3
    Strong tinter. Add it in knife-tip doses and mix fully before adding more.
  3. Add 1 part Dioxazine Purple
    pile #7A599F
    Strong tinter. Add it in knife-tip doses and mix fully before adding more.

A simpler mix

Titanium WhitePW67 parts
Dioxazine PurplePV235 parts
Mixes to #705AA6, good match (ΔE 2.7)

Dioxazine Purple in white alone, seven to five, is the two-tube route. It is a point and a half further off and leans blue; the magenta is what makes the three-paint mix read as violet rather than purple. Use the two-tube version for violet in shadow.

What goes wrong

Both pigments are strong tinters, so a part each in two of white is a lot, and the order matters: magenta first turns the white pink, then the Dioxazine takes it to violet in a very small amount. Add the Dioxazine a knife-tip at a time; a half part too much turns violet to a dark purple with no light in it. Quinacridone Magenta (flagged by the mixing guide as moving a pile hard for its share) and Dioxazine Purple (tinting strength 5, where a cadmium is 1) are the paints to be careful with here: they go in last, a knife-tip at a time, and a little too much cannot be mixed back out.

Related colors

Results vary with brand, lighting and medium. Acrylic dries a touch darker than it looks wet. Treat this as a mixing aid, not a lab instrument: it tells you which tubes to reach for and roughly in what proportion. Fine-tune the last stretch by eye.

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Mix violet from the paints you own

Masstone builds this recipe from the tubes in your box, not a fixed list, and matches any color you pick from a photo. Real spectral mixing, not RGB averaging.

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